Why American Men Are Afraid of Intimacy

By John Ibson, American Sexuality Magazine. Posted July 4, 2007.


Why do adolescent boys often leave empty seats between each other when they go to the movies? It's a product of the culture of male homophobia in America which pushes men to avoid intimacy and gay stereotypes.


Just where the empty physical, as well as emotional, space between men comes from has been the essential subject of my research as a scholar of American culture. My work has culminated in a recent book, Picturing Men: A Century Male Relationships in Everyday American Photography.

What accounts for that space? A short answer, something academics like me are notoriously reticent to provide, is that countless American boys and the men that they become are afraid of intimacy with each other, fearful of how intimacy might be construed -- of what others and maybe even they themselves might decide that the closeness suggests. What I’m alluding to, of course, is homophobia.

Though of course widely accepted today in the United States, the idea that one’s own identity is grounded in the sex of those whom one desires sexually, that the sex of the object of yearning identifies the yearner, rather than simply defining his desires, is a comparatively recent cultural notion.

But it isn’t a universal way of thinking about human sexuality.

We examine the ways that negative stereotypes of gay men, for example, not only stigmatize those males considered gay, but also coerce all men to stay within the boundaries of culturally prescribed “male behavior,” lest they be thought queer. It’s common in our culture for a gay male to be thought “unmanly,” but it’s not inevitable that this equation be in force, or even that sexuality be viewed as a simple question of one or the other, gay or straight, with bisexuality in the middle ground.

Such, however, has been our society’s obsession with sexual orientation -- and with “appropriate” manliness -- that an association with gayness came to include certain occupations, words, gestures, and items of apparel, as well as one male’s willingness to express intimacy with another. The greater the scorn heaped upon gay males, the more that all males have been discouraged from displaying behavior associated with gayness -- with anything resembling intimacy heading the list of taboos.

Because men’s doings have been given more weight, deviations from the culture’s prescriptions for men are particularly troubling for many Americans, with displays of intimacy between men arousing much more scorn than similar displays among women. For example, with a tiresome, utterly predictable, yet highly revealing frequency, the lead actors in Brokeback Mountain were asked what in the world it was like -- implicitly how they could possibly have endured -- kissing another guy. You’d have thought that Heath Ledger and Jake Gyllenhaal had climbed Everest. Culturally speaking, for male leads in a major American film, apparently that’s just what they’d done.

Apparently thanks to the cynical design of Bush partisans, debates over same-sex marriage, usually focused on proposals to ban the practice, have in recent years aroused the Bush political base, sending the president’s supporters to the polls in numbers larger than might have been the case without a “gay marriage” controversy. However, the recent Democratic electoral successes suggest that many voters weren’t as distracted by the sexual orientation of their fellow citizens as they had been in 2004. This allowed attention to be turned to more pressing concerns.

It might be well if sexual orientation were less of a distraction –– for us all –– in other aspects of American life beyond politics. We would be a considerably healthier society were we to see sexuality as a matter of much more nuance than a simple gay-straight dichotomy implies. And American men, whoever their sexual partners, would surely have a better time of it if they were able to restore some of that world lost to homophobia. At its heart, history teaches us that little in life is inevitable or immutable, that things surely don’t have to stay the way they currently are. In looking at the quite different way that things once were, Picturing Men reinforces that lesson.

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